GERMAN ACADEMY OF EDUCATION
GERMAN ACADEMY OF EDUCATION
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Peter Hübner
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Faculty of
MUSIC & MUSICOLOGY
Theoretical Fundamentals

UNIVERSAL
MUSIC THEORY 1

IX.
THE SYSTEMS
OF ORDER IN MUSIC

Tonality

Differences
in Understanding as Reflected by Language

The Beginnings of
Musical History

New Sound Composer
of the 20th Century and the
Range of Intervals

Advancing
to the Transcendental
Play of Music

Musical Insight into the Culture of Peoples

Musical Relationships

The Musical Path
to Self-Knowlegde

Homophony

Polyphony

The Counterpoint

The Threefold Perfect
Form of the Harmony

Relations in Music

 

 

Astronomy of Mind EQ x IQ

Hall of Harmony

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UNIVERSAL MUSIC THEORY 1
The Practical Fundamentals of Universal Creativity
  PART   IX            
  THE PROCESS OF CREATING MUSIC            
         
 
Differences in Understanding as Reflected by Language


   
 
Peoples do not know the customs and experiences of other peoples, and therefore will naturally convey only their own habits and experiences - in their own language, their own expressions.

 
Life Habits and Experiences of the Peoples
 
 
An aborigine of the Australian bush may not know the lights of a city, but he is familiar with the sounds of the night in the bush, and just as a city-dweller, in his language, spontaneously expresses the day-to-day life of the city, a man living in the bush naturally expresses the manifold world of the jungle.

 
Different Worlds of Different Peoples
 
 
In our own cultural area in Germany, for example, we know the phenomenon called “Gemuetlichkeit”: a phenomenon of finer levels, of a more refined field of life. Take, for example, a cozy gathering of friends at the fireplace. Silence prevails, interrupted only by the quiet crackle of the fire, giving rise to a mental-emotional familiarity between the participants.

 
The Different use of Inner-Human Forces
 
 
The experience of such group-consciousness characterized by silence can be verbally communicated in the language of our culture, and our people will have a natural understanding and an inner sensitivity for this situation in which feeling dominates. Naturally, it is not the physical environment of the fireplace which generates the impression of “Gemuetlichkeit” so familiar to us, but the century-old cultivation of a sense of togetherness.

 
Cultural Area and Language
 
 
We know that an American, for instance, may hardly understand our concept of “Gemuetlichkeit,” much in the same way his concept of a spruce cocktail party will appear strange to us.

   
 
On a superficial level, we recognize these gaps in experience between different cultural areas from those words which express a particular feeling of life in one language and are used unchanged in another language. Thus, an American uses our word “Gemuetlichkeit” with as little success at home, as we use his term “cocktail party” in our country.

 
Gaps in Experience between Different Cultural Areas
 
 
The task of the tonality is to describe the various atmospheres of life.

 
The Task of the Tonality
 
 
Tonalities differ from each other just as the various environments of men differ from each other quite substantially.

   
 
And just as man, in different environments, naturally adopts quite different ways of life, likewise, the motif unfolds differently in different tonalities and describes these different ways of unfoldment in quite different melodies.

 
Describing the Diverse Atmospheres of Life
 
     
     
                                 
     
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
 
                                     
                                     
             
     
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